If you have already received your tickets, the venue doors will be open 45 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 30 minutes pre-show for Western Foyer venue performances. However, if you are collecting your tickets from the Box Office, we recommend doing this at least 60 minutes before the event starts. Ticket purchases and collection at our Box Office is discouraged and eTicket or postal delivery methods should be used, wherever possible. Pram parking will be available outside the theatres in the Western Foyer consistent with COVID-safe rules. The public lift to all foyers is accessible from the corridor near the escalators on the Lower Concourse and also in the Western Foyer via the corridor on the Ground Level (at the top of the escalators). Please remember to maintain physical distancing whilst consuming drinks in our foyers.Īll Sydney Opera House foyers are pram accessible, with lifts to the main and western foyers. Refreshments will be available for purchase from our theatre bars. Our foyers will be open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances. Please note that you will be seated directly alongside other ticketholders. This includes all shows in the Concert Hall, Joan Sutherland Theatre, Studio, Playhouse, Drama Theatre, Utzon Room and Forecourt. Performances are being sold to 100% capacity in line with the NSW Public Health Order. Please note Max Richter will not be performing at this concert. The Sydney Symphony Orchestra are joined for this performance by star violinist Ray Chen whose vivacious playing brings Richter’s distinctive and evocative music to life. Richter’s reimagined Four Seasons draws on Vivaldi’s best moments, keeping the work’s original drama and excitement – yet making the familiar feel fresh and new. With his less-is-more minimalism, Max Richter has become a Hollywood favourite, with credits for a diversity of films including those by Martin Scorsese and Clint Eastwood, and episodes of Black Mirror and Peaky Blinders.

An emerging force in contemporary classical music, Muhly’s music experiments with both movement and perspective while gazing towards the horizon.

Vast canyons, distant mountains, red dust – Nico Muhly’s Control is as intense and arresting as the Utah landscape which was its inspiration.

Four seasons recomposed